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As the genre progressed, the format developed towards a reality-style show and more into a relationship show then simply finding a mate.

The dating game show subgenre has its origins in the United States.

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What followed would become an MTV signature: scripted dating shows that favored hot (often shirtless, fit and on Spring Break) 20-somethings look for the someone to screw, not marry.

One wonders whether or not ABC and Endemol should be putting a few extra steps in the contestant screening process, but then the pilot wraps its “storyline,” as it were, around the guy, pairing him, the most attractive of the guys, up with Melanie, a cute but not exceptionally gorgeous Fiona Apple type with a too big but very sweet smile.

(Did I just convince half the comments section to check this out? ) The connection the two form in the dark room is actually sorta poignant until you think about the fact that Melanie is desperately lonely, and Allister just has no clue how to deal with the emotionally scarring traumas of his childhood (when he psychs himself up for his date with Melanie by telling himself to not expose too much of his horrifying stories, you know you’re in for SOMEthing, at least) and you realize the show is basically exploiting both of these things, trying to get you to take that sucker’s bet at the end of the episode as you wonder whether that connection will be strong enough, whether Allister will come out that door and take Melanie’s hand or realize he’s way better looking than her.

He was most recently the Editor-in-Chief of Next Magazine.

He has contributed to Vanity Fair, Playbill, Details, Out Magazine, Time Out New York, and has appeared on Biography Channel, East Village Radio and in Wallpaper magazine.